Professor
Linda
Burman-Hall, Music Center
Interests: Baroque music and performance
practices; historic harpsichord and organ, and fortepiano
literature; Indonesian music cultures;
ethnomusicology
David
H. Cope, Music Center
Interests: Composition, twentieth-century music
history with focus on the avant-garde; eighteenth- and
nineteenth-century theory; analysis; Experiments in Music
Style (EMI)
Sherwood Dudley,
Music Center
Interests: Opera; history of orchestration; late
eighteenth- and early nineteenth-century music history;
music editing
Edward
F. Houghton, Porter
Interests: Medieval and Renaissance music,
fifteenth- and sixteenth-century polyphony;
conducting
David
Evan Jones, Music Center
Interests: Composition and analysis (often
computer-assisted); orchestration; computer synthesis;
language and music; timbre
Fredric
Lieberman, Music Center
Interests: Ethnomusicology; organology;
composition; American vernacular musics; Asian
musics
Leta
E. Miller, Music Center
Interests: Renaissance and Baroque music history
and performance practices; modern and Baroque flute;
sixteenth-century chanson and madrigal, music and
science; eighteenth- and twentieth-century flute
literature and performance styles; music of Lou
Harrison
Gordon Mumma, Emeritus, Music Center
Associate Professor
Anatole
Leikin, Music Center
Interests: Classical and Romantic music history
and performance practices; piano and fortepiano; Russian
music
Nicole
A. Paiement, Music Center
Interests: Orchestral and choral conducting;
Baroque, Classical, and twentieth-century performance
practices; Handel; le Groupe des Six; French twentieth-
century music; interdisciplinary art
John
M. Schechter, Music Center
Interests: Ethnomusicology; theory; Latin American
music-cultures; Quechua and Spanish-language
Andean musics; organology; music and ritual;
Stravinsky
Assistant Professor
Hi
Kyung Kim, Music Center
Interests: Composition; twentieth-century music;
tonal and Schenkerian analysis; orchestration; Korean
traditional music
Paul Nauert, Music Center
Interests: Theory, composition; rhythm and meter;
muic cognition; mathematical and computer models of the
compositional process
Distinguished Adjunct Professor
Ali Akbar Khan
North Indian Classical music
Lecturer
Karen L. Andrie
Cello
Karen A. Baccaro
Trumpet
Mark Brandenburg
Clarinet
Ray Brown
Jazz
Paul Contos
Saxophone
William Coulter
Guitar
Smith Dobson
Jazz
Peter Q. Elsea
Electronic music and music technology
Maria Ezerova
Piano
Joshua Garrett
Horn
Barry Green
String Bass, Double Bass
Thomas Hornig
Trombone
Robert Klevan
Wind Ensemble
Patrice L. Maginnis
Voice
Roy T. Malan
Violin, viola
William Mathews
Cornett
Brian Staufenbiel
Voice
Undang Sumarna
West Javanese Gamelan
Susan R. Waller
Flute
Roger Wiesmeyer
Oboe
William
K.Winant
Orchestral percussion; percussion ensemble
Professor
William G. Mathews, (Astronomy and
Astrophysics)
Interests: Cornetto
Research Associate
David Dodd
Grateful Dead
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