Selected Course
Syllabi: Ben
Carson
UC SANTA CRUZ
1.
Empirical
Approaches to Information in the Arts -- graduate seminar, Music / Digital Arts and New Media
(cross listed): Fall 2005
2.
Gilles
Deleuze and Felix Guattari:
Difference, Repetition, Capitalism, and Schizophrenia -- graduate
reading group, History of Consciousness Department: Spring 2005 [
links to reading notes and study guides soon to come! ]
3.
Music
Perception and Cognition -- graduate seminar, Department of Music: Fall
2004
4.
Romantic
and Early Modernist Music -- Department of Music, Winter 2006 (current)
5.
Tonal
Counterpoint and Chromaticism -- Department of Music: Fall
2005
6.
Techniques
of 20th Century Composition -- Department of Music: Spring 20005
7.
Baroque
Counterpoint --UC Riverside, Department of Music: Fall 2002
8. The winter portion of a year-long History
of Western European Art Music --UC San Diego, Department of
Music: 1999-2000, 2000-2001
9. A syllabus for the fall portion of an
Introduction
to Music Theory: --[ Renaissance Counterpoint, Baroque
Harmony, and Classical Form ], modeled after courses by Aleck Karis and Chaya
Czernowin, whom I assisted at UC San Diego, 1998-1999