|
1.
Orchestra
2. Chamber Ensemble
3. String Quartet
4. Solo & Duo
5. Dance/Choreography and Chamber Music
6. Choral Works
7. Computer/Tape Pieces
1.
Orchestra:
Islands in the Bay (Percussion Concerto, 1993)
3
movements, 15 minutes
3.3.3.2.
4.3.3.1.1. 4 (per.), piano, harp, and strings
·
Premiere,
Rohnert Park Symphony, with Karla Lemon, conductor (3 movements)
· University
Symphony, UC Berkeley, with Michael Senturia, conductor (1 movement)
Conversation for Orchestra (1976)
6
minutes
2.
Chamber Ensemble:
Isle of Eeo (2005)
Soprano, violin,
viola, cello, and percussion
Text by Korean Poet, KO Un
· Co-Commissioned
by Koussevitzky Foundation and the Chamber Music Society of Minnesota
·
Premiere,
Chamber Music Society of Minnesota (February 2006)
At
the Edge of the Ocean (2001/2003)
21 minutes
Flute, clarinet, violin, viola, cello, and 2 percussion players
·
Commissioned
by Meet the Composer/Commissioning USA Grant and the Chamber Music Society
of Minnesota. Special project, “Hun Qiao” (Bridge of Souls).
·
Premiere,
Yo-Yo Ma and the Chamber Music Society of Minnesota (Ordway Arts Center,
St. Paul, Minnesota, 2001)
Trio
“Sori” (2002)
12 minutes
Daegeum (Korean bamboo flute), clarinet and cello
·
Commissioned
by Sound Clock Contemporary Ensemble, New York
· Premiere,
PAN International Music Festival (Seoul, Korea, October 2002).
Breaking
the Silence (1996)
12 minutes
Violin, cello, and piano
·
Written
for Earplay
·
Premiere,
Earplay, Pacific Rim Music Festival (UC Santa Cruz, 1996)
Unknown Lives (1995)
15 minutes
Flute, clarinet, violin, viola, cello, percussion, and piano
·
Written
for San Francisco Contemporary Music Players
·
Premiere,
San Francisco Contemporary Music Players (Yerba Buena Center for the Arts,
1996)
When You Rush (1991)
5 minutes
Flute, clarinet, bassoon, trombone, violin, cello, harp
·
Written
for Tanglewood Ensemble
·
Premiere,
Tanglewood Ensemble (Tanglewood Music Center, 1991)
What are Years? (1988, revised 1991)
2 movements, 13 minutes
Soprano, flute, clarinet, guitar, violin, double bass
·
Commissioned
by ISKRA Contemporary Chamber Ensemble, San Francisco
·
Premiere,
ISKRA (Berkeley Trinity Church, 1988)
·
Tanglewood
Ensemble (Tanglewood Music Center, 1991 revised version)
Encounter (1986)
10 minutes
Clarinet, bass clarinet, bassoon, cello and 5 percussion players
· Premiered
by UC Berkeley Contemporary Ensemble (Hertz Hall, Berkeley 1986)
Satisfaction (1977)
7 minutes, for
chamber ensemble
· Premiere,
Seoul National University Music Hall (1977)
Musical
Gathering (1976)
8 minutes
Flute, oboe, clarinet, bassoon, horn
· Premiere,
Seoul National University Music Hall, 1977
Resistance (1975)
6 minutes, for
soprano and piano
· Premiere,
Seoul National University Music Hall (1975)
3.
String Quartet:
Primitive
Dance (1990/1999)
14 minutes
·
Written
for Alexander String Quartet; dedicated to Sung-Jae Lee
· Premiere,
Alexander String Quartet, Arts & Lectures (UC Santa Cruz, 2002)
Short
Dance (1987)
4 minutes, for
string quartet
A-Ri
for Soprano & String Quartet (1983)
12 minutes
· Premiere,
UC Berkeley Noon Concert (1983)
Crash
(1975)
8 minutes, for
string Quartet
· Premiere,
Seoul National University (1976)
4.
Solo & Duo:
A
Story: Gayageum Solo (2005)
15 minutes
· Commissioned
by Aeri Ji
· Premiere,
Asian Art Museum, San Francisco (2006)
Orange Pastel (2001)
5 minutes, for
2 percussionists
·
Premiere, New Music Ensemble at the San Francisco Conservatory of
Music (April 2001).
Crystal
Drops (2000/2003)
2 movements, 13 minutes
2 pianos
·
Commissioned
by and written for Aki Takahashi and Rae Imamura
Premiere at the Asian Music Festival (Jerusalem, Israel, 2004)
After
the Fall (1998)
9 minutes &
30 seconds
Clarinet and bass clarinet
· Written
for John Sackett & Peter Josheff
·
Premiere,
April in Santa Cruz New Music Festival (UC Santa Cruz, 1998)
Instant Breath: Flute Solo (1999)
8 minutes
·
Written
for Leta Miller
· Premiere,
Leta Miller, April in Santa Cruz New Music Festival (UC Santa Cruz,
1999)
Reflection: Clarinet Solo (1985)
4 minutes
Intrigues
(1985)
3 movements,
12 minutes
Prepared piano and clarinet
· Premiered
by John Sackett and Michael Seth Orland (Hertz Hall, Berkeley, 1985 --
2 movements)
·
Evan Ziporyn and Michael Seth Orland, San Francisco Symphony New and
Unusual Music Concert (1988 3 movements)
Dialogue
(1974)
8 minutes, for
violin and piano
·
Premiere,
Seoul National University Music Hall (1974)
5.
Dance/ Choreography and Chamber Music:
Rituel
(2001)
c. 30 minutes
Korean dance/percussion, violin, cello, clarinet and percussion
·
Commissioned
by the Other Minds Festival
·
Premiere, Korean dancer/percussionist Eun-Ha Park (National Center for
Korean Traditional Performing Arts) and Other Minds Ensemble, Other
Minds Festival (San Francisco, 2001)
Rituel
II (2002)
c.
45 minutes
Korean dance/percussion, Korean ensemble (chanting, piri (bamboo
oboe), saengwhang (mouth organ), hun (clay flute), and yangkeum (dulcimer)),
and Western ensemble (violin, cello, clarinet/bass clarinet, and percussion)
· Premiere,
Korean Musical Ceremony, presented by UCSC Arts & Lectures
at Herbst Theatre (San Francisco, April 2002)
·
Premiere
(revised version), National Center for Korean Traditional Performing Arts
(October, 2002)
Rituel III (2004/5)
c. 40 minutes
Multi-media performance with Korean dance/percussion, Korean ensemble
(changgo and daegeum), Western ensemble (violin, cello, clarinet/bass
clarinet, and percussion) and visual projection
·
Preview
performance, Symposium for the International Musicological Society
(Melbourne, Australia, 2004)
·
Premiere,
Walt Disney Hall (Los Angeles, 2005)
6.
Choral Works:
Requiem
(in progress)
Chamber ensemble
and chamber choir
·
Commissioned by Fromm Foundation
·
Being written for the Ensemble Parallèle and the University Chamber Choir
at UC Santa Cruz, conductor Nicole Paiement
·
Premiere, BluePrint New Music Festival, San Francisco Conservatory
and at the Seoul Arts Center (November 2007)
Looking at the New Heaven and Earth (1976)
7 minutes
Mixed voice (s.a.t.b.) and piano
· Premiere,
Seoul National University (1976)
7.
Computer/Tape Pieces:
Step
(1988)
4 minutes &
30 seconds
Completed at CCRMA at Stanford University
top of page
|