Commentaries
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The
energy in this work comes from an ongoing dialectic, fueled by the artist's
uncompromising intelligence. Miriam Seidel, New Art Examiner
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These
are narratives ripe with portent, as if the painting itself were thinking.
John B. Ravenal, from "Twenty Philadelphia Artists", Philadelphia Museum
of Art, 1998
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The work of art not only comes to life, but it begins to take over the process. Patricia Stewart, from "The Nude: Beyond the Studio", Philadelphia Art Alliance. 1995 |
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The paintings are composed of a myriad of notations that, while purely observational in themselves, imply a state beyond reality. Edward Sozanski, Philadelphia Inquirer |
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Galuszka's
concern for color, representation and pure pyrotechnics reminds us of
what traditional Western painting is all about. Robin Rice, Philadelphia
City Paper
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His
ambition: to narrow the gap between painting and reality, to create an
image that interacts with the real world, to offer. . . something akin
to "the thing itself."
Patricia Albers, from "Out of the Earth", Museum of Art & History,
Santa Cruz, 2002
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Can
object and subject be caught once again , or caught and freed over and
over? Galuszka answers yes. Anne Schuster Hunter, New Art Examiner
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