The UC Santa Cruz Arts Division is pleased to announce five new faculty hires who will begin teaching throughout the current 2020-2021 academic year. These professors bring with them a wide range of expertise in their respective fields and the Arts Division is thrilled to welcome them.
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West coast debut of 'Lessons of the Hour' offers immersive portrait of visionary writer and abolitionist Frederick Douglass
For the Love of Rutland, a new documentary by UCSC associate professor of film and digital media Jennifer Maytorena Taylor, is an exploration of the multiple problems now faced by rural America—most notably the opioid epidemic, income inequality, racism, and xenophobia... [more]
UC Santa Cruz will present the premiere of thesis films by nine graduating M.F.A. students in the field of social documentation this year—in a special online presentation from June 15 to August 31.
Digital Arts and New Media (DANM) Technical Coordinator, Colleen Jennings, has designed a 3D model of the Mary Porter Sesnon Art Gallery that will enable the Irwin 2020: Collective Solitude exhibition to take place online.
Last month, NASA released NeMO-Net, an innovative iPad game where players help NASA classify coral reefs by painting 3D and 2D images of coral.
If you’ve driven through UC Santa Cruz’s main entrance and past the Barn Theater, you’ve probably noticed the colorful signs on the side of the barn that announce a variety of upcoming events, from music concerts to lectures.
Congratulations to the following Music Department students for their outstanding accomplishments!
Ph.D Ethnomusicology Student
Just over a couple of weeks ago, Brent Foland never imagined that his time would soon be dedicated to building face masks for his fellow UC Santa Cruz employees.
Jon Myers, a DMA candidate in composition at UC Santa Cruz, creates music for a variety of settings, from fully notated acoustic pieces to live electronic feedback music. He works on soundscapes and sonic maps of places.
UC Santa Cruz DMA candidate in composition, Andrew C. Smith, composes music that involves intonation tunings, repetition, and language at the threshold of making sense, often connected to computational processes throughout the composition.
Ryan Lambe is a sixth-year PhD candidate and teaching fellow at UC Santa Cruz studying cross-cultural musicology. His dissertation is an ethnographic study of performance and emotional labor in US queer open mics examined through queer and critical race lenses.
The recipients of this year’s UC Santa Cruz Distinguished Graduate Student Alumni awards are out in the world inspiring change and advancing science.
Francesca Romeo received her BA in English Literature from UC Berkeley, and a dual Master’s degree from Pratt Institute in Photography and Art History.
Melanie Ho is a queer Vietnamese American filmmaker and writer who currently works as the Graduate Student Coordinator at UC Santa Cruz’s Women’s Center. She’s in her second year, pursuing an MFA in the Social Documentation program (SocDoc).
In the few years since earning her BA degree in Anthropology at the University of North Carolina, Amanda Maples has already had an impressive career in the Arts.
When he arrived at UC Santa Cruz, Adrian Centeno was already a seasoned drama teacher with aspirations to be engaged with arts management. He was assigned to be one of the managers of the Theater Arts program, Barnstorm, where he thrived, bringing a vision of inclusion to the program.
Super heroes have nothing on Marti Noxon. Brave, bold, and exceptionally talented, UC Santa Cruz alumna Noxon has found amazing success in a very tough business that has been traditionally dominated by men.
Back in 2003, Sherrice Mojgani left her home in Orange County, Calif. to make her way to UC Santa Cruz and arrived to what she thought of as the most beautiful place she’d ever seen.
The Leonardo Art/Science Evening Rendezvous (LASER) is an international program of evening gatherings that brings together artists, scientists, and scholars for informal presentations and conversations.
We live in the midst of a disruptive age, where the face of culture and the nature of the human condition are rapidly changing.