Join Patrisse Cullors, co-founder of the Black Lives Matter Global Network, and artist and activist Maxwell Addae for "Popular Culture and the Radical Imaginary." Their conversation will focus on their collaborative project researching the media portrayals of Black women and incarceration as well the real-world impact of the narratives told about crime and punishment in the United States. This event is part of the Visualizing Abolition series.
FREE and open to the public
Register here
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About the Series
Visualizing Abolition is a series of online events organized by Dr. Rachel Nelson, director of the Institute of the Arts and Sciences, and Gina Dent, associate professor of feminist studies. The events feature artists, activists, and scholars united by their commitment to the vital struggle for prison abolition. Originally, Visualizing Abolition was being planned as an in-person symposium. Due to the ongoing pandemic, the panels, artist talks, film screenings, and other events will instead take place online. The events accompany Barring Freedom, an exhibition of contemporary art on view at San José Museum of Art October 30, 2020–April 25, 2021. To accompany the exhibition, Solitary Garden, a public art project about mass incarceration and solitary confinement is on view at UC Santa Cruz.
Visualizing Abolition is organized by UC Santa Cruz Institute of the Arts and Sciences in collaboration with San José Museum of Art and Mary Porter Sesnon Art Gallery. The series has been generously funded by the Nion McEvoy Family Trust, Ford Foundation, Future Justice Fund, Wanda Kownacki, Peter Coha, James L. Gunderson, Rowland and Pat Rebele, Porter College, UCSC Foundation, and annual donors to the Institute of the Arts and Sciences.
Partners include: Howard University School of Law, McEvoy Foundation for the Arts, Jessica Silverman Gallery, Indexical, The Humanities Institute, University Library, University Relations, Institute for Social Transformation, Eloise Pickard Smith Gallery, Porter College, the Center for Cultural Studies, the Center for Creative Ecologies, and Media and Society, Kresge College.